some tracks I've made
that I now listen to while
working and getting stuff done
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I blend Progressive House with Future Bass, creating uplifting tunes grounded in organic textures yet engineered for impact.
My progressions lean on I-V-vi-IV plus occasional iii-maj/vi-maj lifts, all delivered through driving 1/8- and 1/16-note arpeggios and catchy vocal-chop stabs.
Most often I use a clear verse → pre-chorus → drop structure, using white-noise risers, low-pass/hi-pass automation and even “fake” drops to keep things fresh.
Everything's side-chained (70 ms attack / 350 ms release), glued on the bus (2:1, GR 2-3 dB), and mastered around −6 LUFS (peaks < −0.8 dBTP) for that punch.